I had a wonderful time attending the NonfictioNOW 2015 Conference at Northern Arizona University in Flagstaff. Here’s a write-up of the panel I was on — about “the lyric moment” in both lyric poems and the lyric essay. I wrote poetry first and still think of myself (in many ways) as a poet who happens to work mostly in prose these days. Thank you, Heidi Czerwiec, for blogging about so many of the terrific creative nonfiction panels for Assay: A Journal of Nonfiction Studies — a true example of literary citizenship.
Matthew Olzmann, Justin Bigos, Sejal Shah, Bojan Louis
Panel description: When Samuel Taylor Coleridge set off in pursuit of “a semblance of truth sufficient to procure for these shadows of imagination that willing suspension of disbelief for the moment, which constitutes poetic faith,” the phrase “suspension of disbelief” entered the poetic lexicon. It can be argued that an equivalent poetic faith is at the heart of the lyric essay. However, despite sharing similar impulses and effects, the lyric essay and the lyric poem handle, develop, and court poetic faith in different manners. There is a distinct difference between the suspension of disbelief in poetry and the development or maintenance of actual belief in the essay. This panel of poets, essayists, and editors will discuss the lyric essay in relation to the lyric poem, and consider what constitutes a “poetic faith” in nonfiction.
Matthew Olzmann: This is a panel of…
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